There’s been a lot of times recently where I’ve been sick to death of editing Vengeance Will Come. I thought that it would never finish…
And now, I just want to edit The Rebel Queen. I don’t want to read it or only look for certain aspects (which I wrote about only yesterday). I just want to edit. I just want to write.
As I write, I’m starting to build up a collection of laminated notes that I’m going to stick to my writing desk. Some of this is all-writing information (like grammar rules) and also can be story-specific prompts (character voice).
The latest addition to my notes is from Robin Hobb (Writing Excuses, Season 11, bonus episode 1). It isn’t anything new, but it’s good to remember and she says it very well:
“So, when I sit down with my character and I begin typing and the character is speaking in first-person to me, things are unravelling and the world is being built entirely from that person’s point of view. … I’m experiencing it completely from that point of view.”
“If you’re writing from the first person if you are an assassin who walks into a room and there’s three people there what he notices is going to be very different from the child character who runs in the room and is totally fixed on finding the toy they left there earlier, and the three people standing around talking don’t matter at all.
In everything you do, you put on that character like you put on a coat. And you wear it, and everything is from that characters point of view and their value system. If you’re writing a villain, and you put on that coat, no matter how you feel about it personally, you’d better share all of her opinions and justifications, and everything she feels about it. If she is paranoid or outraged… from the time you put on her coat you have to be 100% on her side.”