Genre-Melding

lunar-landscape-1978303_1920Picture if you will a large planet named Fantasy. It’s home to an array of creatures, each with their own societies and cultures; some primitive and some advanced. The laws which govern the world are far different from the physics, chemistry and biology that we Earthlings are familiar with.

A neighboring celestial body, the planet Xi belongs to the Sci-Fi Federation of planets. Xi and it’s galactically renowned bazaar is home to an assortment of aliens and Artificial Intelligences. Some aliens are sentient and others are not, depending on whose definition of sentient you adhere to. Naturally the aliens, though sharing a planet, each come from different homeworlds and customs.

Each planet – or literary genre, if you will – has a gravity well and loyal fans orbiting, some within the ionosphere and others at the very edges. They are loyal to their own planet, but the thought of traveling between planets is foreign…

Perhaps it is my own biases, and I’d like to think it’s breaking down… but once upon a time a fantasy novel was constrained to a single planet? No planet-hopping allowed. And if dragons exist on the planet, for some reason the inhabitants can’t develop space-faring technology? Why can Jaja Binks exist, but a dragon cannot? (Because we all know which one we’d like more).

The professionals on the Writing Excuses podcast talk about the importance of knowing which genre you’re writing to, so you can maximise appeal to that audience. (This advice was back in Season 1, so quite some time ago…)

cover-1Personally, I don’t see why genre blending isn’t more acceptable. When I wrote Vengeance Will Come (available soon), I didn’t write it for a particular genre… I simply wrote a book that interested me. It has elements from both science fiction (aliens, space travel, forceshields) and fantasy (telekinesis and other mystical powers and tied into arcane prophesy). In some ways it’s also an adventure story (fast-paced) that just happens to have those other elements as part of the setting. I don’t see how fantasy and science fiction can’t co-exist more.

Admittedly it’s been too-long since I read the masterpiece Dune, (particularly the first 3 books) but that successfully straddles the line between the two genres: a lot of science, but also brushed with a touch of fantasy in the Bene Gesserit.

Do you think genre-blending is more accepted by the reading communities in recent years, or do the rules of orthodoxy still hold true?

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Inspirational Reading

Recently the skillful poet Thom Sullivan wrote about the poetry that he found inspirational in his development as a poet. They say that imitation is the highest form of flattery and I thought it was an interesting question to consider: what novels have been influential to me in my writing?

Adventure

Notwithstanding the frailty of my memory, the earliest novels which I remember enjoying were Australian author John Marsden’s Tomorrow, When The War Began series. The teenagers-turned-freedom-fighters mixed together with the maturing hormones captured my imagination. In my experience a heady blend of (limited) war, independence from adults and finding yourself developing into a hero speaks to every young adult male.

A lot of books seldom fit precisely into genres, and so I shall take liberties with a little genre-crossing on this list. The pre-and-post apocalyptic adventure/war/faith-based Left Behind series by Tim La Haye and Jerry Jenkins also spoke to my prepping instincts, and merged my love of reading and faith. After all, what plot could provide more of a challenge than being a minority group of people vs. the rest of the world in both the physical and spiritual realm?

Fantasy

Naturally, Tolkein’s The Lord of The Rings must rate a mention in fantasy. It is a grand epic adventure which blends together aspects of good and evil, loyalty and betrayal into a story of sacrifice and struggle. Tolkein opened my eyes to the fantasy world like so many other readers before me. Though at times he was a bit of a waffler, he is the grandfather of the fantasy genre. (To a lesser degree was CS Lewis’ Narnia which I probably enjoyed first, but which pales in comparison).

I remember also being captured by the sweeping and deep world-building of Robert Jordan’s Wheel of Time (WoT) series in my early twenties to the detriment of other important things. Sadly the belated publishing of the latter books stretched out to the point where now the final books by Brandon Sanderson remain unread; awaiting a time when I can re-read the series in its entirety.

The WoT series was my first introduction to an in-depth and heavily interrelated world building. I loved the fact that multiple cultures all revered the same character, though knowing them by different names. I also appreciated the way that the environment was woven into the culture but still avoided existing clichés; for example the Ariel who lived in the desert and used expressions of endearment such as ‘shade of my heart’. Excellent!

Science Fiction

This list would be grossly incomplete without mentioning the epic masterpiece of Frank Herbert’s Dune, by which all science fiction is measured against in my mind. (Not to say that it is the best in all aspects of writing and story-telling, but is a very sound measuring stick; especially as a series). The beauty of Dune is in its complexity and time-scale over generations. The world-building in Dune is like an elaborate ecosystem; a multitude of gears where turning one cog results in all of the others moving also. Each concept is tied together into a beautiful interconnected tapestry of cause-and-effect throughout the entire Dune universe. Frank Herbert was indeed a formidable world builder, and one worthy of great respect.

Few minds are as great or imaginative as Isaac Asimov who wrote a plethora of amazing short stories. I think especially of the Foundation trilogy; which shows deep insight into human nature and projects it outwards far beyond his own time. I am only a novice at writing short stories – two of which I am especially proud of available on this site – but Isaac Asimov was a master.

Faith-based

I could say that is started with Jesus and all of his parables ‘There once was a man…’, but it was probably earlier than that… In modern terms, Francine Rivers showed me how powerful story-telling could be in the Mark of the Lion series. A story, told in the emotive perspective of characters that you fall in love with, can speak to reader in ways that a cold essay could not. Philip Yancey wrote it best when he said that ‘a piece of flattened pulp can penetrate the mind, bypassing its defences and lodge deep inside the psyche’ (paraphrased and expanded).

When I look back over my reading history, these are the books which stand out brightest in my memory. As I consider them, even now they beckon me to read them again.

What are the books which you have most enjoyed?